Ladyfest Glasgow Turntable Workshop

Never Come Ashore is pleased to be supporting Ladyfest Glasgow. As part of the festival, Mariam Rezaei will be giving a workshop on turntable use in experimental music on Friday 8th March at Kinning Park Complex. The workshop will introduce the history and background of turntablism and djing and explore their use in experimental composition and improvisation. Details

The Empty Set

The Empty Set
Saturday 9th March 7.30pm
Glasgow University Concert Hall.
Free entry

Marjolaine Charbin - piano
Dimitra Lazaridou Chatzigoga - zither
Neil Davidson - guitar
Rhodri Davies - harp
Mariam Rezaei - turntables

First concert by The Empty Set performing improvisation and compositions by members of the group. The Empty Set was originally put together to record music by Mieko Shiomi, James Saunders, Sam Sfirri and Sarah Hughes for the Another Timbre label in 2012, with several of their recordings featured on the critically acclaimed Wandelweiser und so weiter box set. The concert is co-produced by Never Come Ashore and Music in the University, and funded by the University's Chancellor's Fund. Free entry. Mariam Rezaei will also be giving a workshop on experimental turntable use at Ladyfest Glasgow. Details here.

Forms 6 Trio

Forms 6 Trio: A composition for an ensemble of any number of players. Each player writes down what they would (hypothetically) play in an improvisation, within a given time frame. They are to consider relationships between players, forms of response, intentions, mistakes, dead ends, pauses and so on. And then the written pages are passed to the left for the next player to play as a text score and so on. The piece can be halted before everyone has played each page but it's better if everyone plays each page once. In this version we recorded the writing stage and a version where we read the texts within the same time frame of 15 minutes.

Aileen Campbell - voice + writing + reading
Neil Davidson - guitar + writing + reading + composition
Nick Fells - computer + writing + reading
Composition - Neil Davidson

ALAC
AAC

Trondheim

Norwegian poet Arild Vange has been working with improvisers for several years. With his book annerledes enn he worked to integrate forms of listening into his writing. In October 2010 he and Neil Davidson embarked on a tour of high schools in the Trøndelag area of Norway as part of the Kulturelle Skolesekken (cultural schoolbag) initiative. This concert was recorded at the end of the tour.

Arild Vange - voice / poems
Michael Duch - double bass
Kyrre Laastad - percussion
Neil Davidson - acoustic guitar

Alac
Aac

Uno

Dario Fariello - solo saxophone

Alac
Aac
Notes

Other Islands

other islands by Nick Fells

"other islands is an ensemble piece involving 4 players, for piano, violin, sax and computer. There is some manipulation of the performed sound by the computer player, and there is also a fixed soundtrack that creates an environment for the performed sounds.

It grew from an earlier collaboration with violinist Barbara Lueneburg on another piece (CoS). We’d spent time at STEIM in Amsterdam honing a particular way of playing very simple materials, developing a style of playing hand in hand with what we considered to be an appropriate sonic and technological environment. With intense focus from both sides, the making process itself took on a particular mood. It goes without saying that personal predispositions and musical histories bear massively on this kind of thing.

other islands is a little different to CoS in that we didn’t spend much time collaborating on the composition. It grew more from a consideration of how ensemble situations per se seem to distil the interplay of memory, identity, and desire into a sort of group ‘affect’. Thinking about these things while walking around the streets in Glasgow made me reflect on how the improvised making and breaking of tiny-scale short-term relationships in everyday life simply continues into ensemble playing of any kind.

As well, Barbara had invited me to come and work with ensemble Intégrales in Hamburg to make a piece for a concert they were doing called utopia. The island state seemed to be an appropriate metaphor for the interplay of isolation and integration taking place in ensemble playing."

The piece was performed by ensemble Intégrales at the Operastabile in Hamburg in December 2009, and recorded and broadcast by Deutschlandfunk for Konzertdokument der Woche on Sunday 24th January 2010.

Violin – Barbara Lueneburg
Sax – Burkhardt Friedrich
Piano – Ninon Gloger
Computer – Nick Fells
Concert sound projection – Marko Ciciliani
Recording & Production - Deutschlandfunk

Recording used with kind permission of Deutschlandfunk and ensemble
Intégrales.

Mp3

Flac

Score